片名:西线战场1918[电影解说]
别名:西线战场1918[电影解说]免费在线播放
电影类别:纪录片
连载状态:完结
发行年份:1930
首映地区:德国
导演:G·W·帕布斯特
演员:Fritz Kampers,古斯塔夫·迪斯尔 Gustav Diessl,汉斯-乔基姆·默比斯 Hans-Joachim Möbis,Claus Clausen,Jackie Monnier,Hanna Hoessrich,埃尔泽·黑勒
更新时间:2026-07-20 07:31
《西线战场1918[电影解说]》该片自上映后,口碑爆棚,能否成为年度最佳纪录片?
《西线战场1918[电影解说]》该片自上映后,口碑爆棚,能成为年度最佳纪录片。《西线战场1918[电影解说]》往往可以变成在今年的电影中用户评价有名的电影,直接原因是《西线战场1918[电影解说]》整部著作自身足够好,不论是艺人Fritz Kampers,古斯塔夫·迪斯尔 Gustav Diessl,汉斯-乔基姆·默比斯 Hans-Joachim Möbis,Claus Clausen,Jackie Monnier,Hanna Hoessrich,埃尔泽·黑勒的呈现、G·W·帕布斯特拍摄技巧,或是电影情节和现实感,全是非常出众的,取得好口碑:6.0分其实也很正常。《西线战场1918[电影解说]》的艺人Fritz Kampers,古斯塔夫·迪斯尔 Gustav Diessl,汉斯-乔基姆·默比斯 Hans-Joachim Möbis,Claus Clausen,Jackie Monnier,Hanna Hoessrich,埃尔泽·黑勒尽管说不是非常有名,但是Fritz Kampers,古斯塔夫·迪斯尔 Gustav Diessl,汉斯-乔基姆·默比斯 Hans-Joachim Möbis,Claus Clausen,Jackie Monnier,Hanna Hoessrich,埃尔泽·黑勒的表演很好,可以把观众们带到到小故事中来,让粉丝有一种窒息的感觉,相比这些帅哥的表演Fritz Kampers,古斯塔夫·迪斯尔 Gustav Diessl,汉斯-乔基姆·默比斯 Hans-Joachim Möbis,Claus Clausen,Jackie Monnier,Hanna Hoessrich,埃尔泽·黑勒的表演真是能够称之为高手,因此大家喜欢这部纪录片。
According to Sadoul in his "Dictionary Of Films": "The life and death of four average soldiers attached to the same company on the French front during the last months of World War I. Karl (Diessl), from Berlin, goes home on leave and finds his wife (Hoessrich) in bed with another man. A Bavarian (Kampers) takes life as it comes, while the lieutenant (Clausen) sticks to his duty. Anex-student (Moebis) falls in love with a French girl (Monnier) but loses her when the company moves on. All of them, sooner or later, meet a terrible end. Best sequences: the men buried alive during a bombardment; the first romantic meeting between the young student and Yvette; Berlin in the midst of food rationing with queues at all the shops; the death of the student at the hands of a wounded soldier in no-man's-land; the tank attack; the lieutenant going mad; the wounded and the dying in the ruined church converted into a field hospital. "Far better than the contemporary All Quiet On The Western Front, Westfront 1918 has little dialogue but gives tremendous dramatic force to natural sounds (Pabst refused to use music). As John C. Moore describes the final sequences: 'Pabst makes one last desperate effort to convey to us not only the horror of war but its futility and its gross stupidity as well.' Released to tremendous international acclaim, it still must be included among the finest war films ever made."
沪ICP备17025248号-1 Copyright © 2015-2024 All Rights Reserved